and splits it open.

His phrase yatahadh-hadhu (he rolls) means “he tumbles,” while al-kalūb—pronounced with an open kāf and a doubled lām with ḍamma—is the well-known iron hook.

His phrase fayusharshiru (he slits) means “he cuts.”

His phrase ḍawḍaʾū—spelled with two dotted ḍāʾs—means “they shouted.”

His phrase fayughfar—beginning with a fāʾ and a dotted ghayn—means “it is opened.”

His phrase al-mirāʾa—pronounced with a fatḥa on the mīm—means “the scene” or “the view.”

His phrase yaḥush-hā—pronounced with a fatḥa on the initial yāʾ, a ḍamma on the ḥāʾ, and a dotted shīn—means “he kindles it.”

His phrase rawḍah muʿtammah—pronounced with a ḍamma on the mīm, a sukūn on the ʿayn, a fatḥa on the tāʾ, and a doubled mīm—means “a meadow lush with tall vegetation.”

His phrase dawḥah—pronounced with an open dāl, a silent wāw, and an undotted ḥāʾ—means “a large tree.”

His phrase al-maḥḍ—pronounced with a fatḥa on the mīm, a silent ḥāʾ, and a dotted ḍād—means “milk.”

His phrase fa-samā baṣrī means “my sight rose,” and suʿudan—pronounced with a ḍamma on both the ṣād and the ʿayn—means “elevated.”

Al-rabābah—pronounced with a fatḥa on the rāʾ and a doubled bāʾ—refers to a cloud.

[Explanation]

We have already discussed the first hadith of ʿAbd Allāh ibn ʿAbbās, covering two of its clauses: the first, “Whoever fabricates a dream he never saw,” and the second, “Whoever eavesdrops on people while they resent it.” The third clause states: “Whoever fashions an image will be charged with breathing a soul into it, yet he will never be able to do so.”

Be aware that depiction falls into two categories: (1) three-dimensional forms, in which a person makes a statue in the likeness of a human or an animal