Majmu' al-FatawaIbn Taimiya

and cannot be relied upon as evidence; he is Furāt ibn Abī al-Furāt. Muhammad ibn Ziyād al-Jazarī is also weak.

People have disagreed about “Abjad, Hawwaz, Huttī.” One group said that these were people’s names: according to some, the names of the kings of Midian, or of people who were tyrannical kings.

It was also said that these were the names of the six days in which Allah created the world. Al-Tabarī preferred the first view. Those who held it claimed that the original forms were “Abū Jād,” like “Abī ‘Ād,” and “Hawāzz,” like “Rawādd” and “Jawwāb,” and that they were not inflected because of the absence of linkage and composition.

The correct view is that these are not names designating particular things. Rather, they were put together to teach how words are formed from the letters of the alphabet, once the letters themselves have been learned. Their actual wording is “Abjad, Hawwaz, Huttī,” not “Abū Jād, Hawāzz.” Subsequently, many arithmeticians began using them as symbols for numerical values, assigning one to alif, two to bā, three to jīm, and so on through yā. They then say: kāf is twenty … (1)

Others, among geometers and logicians, use them as symbols for drawn lines or for the terms of constructed syllogisms. For example, they say: “Every A is B, and every B is C; therefore every A is C.” They used these expressions in their examples because they indicate the form of the syllogistic figure, while a syllogism is not restricted to any particular subject matter. Similarly, morphologists use the pattern “fa‘ala” to correspond to the root letters,

(1) A blank in the original.
لَا يُحْتَجُّ بِهِ فَهُوَ فُرَاتُ بْنُ أَبِي الْفُرَاتِ وَمُحَمَّدُ بْنُ زِيَادٍ الجزري ضَعِيفٌ أَيْضًا. وَقَدْ تَنَازَعَ النَّاسُ فِي أَبْجَد هوز حُطِّي فَقَالَ طَائِفَةٌ هِيَ أَسْمَاءُ قَوْمٍ قِيلَ أَسْمَاءُ مُلُوكِ مَدْيَنَ أَوْ أَسْمَاءُ قَوْمٍ كَانُوا مُلُوكًا جَبَابِرَةً. وَقِيلَ: هِيَ أَسْمَاءُ السِّتَّةِ الْأَيَّامِ الَّتِي خَلَقَ اللَّهُ فِيهَا الدُّنْيَا. وَالْأَوَّلُ اخْتِيَارُ الطبري. وَزَعَمَ هَؤُلَاءِ أَنَّ أَصْلَهَا أَبُو جَاد مِثْلُ أَبِي عَاد وَهَوَازّ مِثْلُ رَوَادّ وَجَوَّاب. وَأَنَّهَا لَمْ تُعْرَبْ لِعَدَمِ الْعَقْدِ وَالتَّرْكِيبِ. وَالصَّوَابُ: أَنَّ هَذِهِ لَيْسَتْ أَسْمَاءً لِمُسَمَّيَاتِ وَإِنَّمَا أُلِّفَتْ لِيُعْرَفَ تَأْلِيفُ الْأَسْمَاءِ مِنْ حُرُوفِ الْمُعْجَمِ بَعْدَ مَعْرِفَةِ حُرُوفِ الْمُعْجَمِ وَلَفْظُهَا: أَبْجَد هوز حُطِّي لَيْسَ لَفْظُهَا أَبُو جَاد هَوَازّ. ثُمَّ كَثِيرٌ مِنْ أَهْلِ الْحِسَابِ صَارُوا يَجْعَلُونَهَا عَلَامَاتٍ عَلَى مَرَاتِبِ الْعَدَدِ فَيَجْعَلُونَ الْأَلِفَ وَاحِدًا وَالْبَاءَ اثْنَيْنِ وَالْجِيمَ ثَلَاثَةً إلَى الْيَاءِ ثُمَّ يَقُولُونَ الْكَافُ عِشْرُونَ. . . (١) وَآخَرُونَ مِنْ أَهْلِ الْهَنْدَسَةِ وَالْمَنْطِقِ يَجْعَلُونَهَا عَلَامَاتٍ عَلَى الْخُطُوطِ الْمَكْتُوبَةِ أَوْ عَلَى أَلْفَاظِ الْأَقْيِسَةِ الْمُؤَلَّفَةِ كَمَا يَقُولُونَ: كُلُّ أَلِفٍ ب وَكُلُّ ب ج فَكُلُّ أَلِفٍ ج. وَمَثَّلُوا بِهَذِهِ لِكَوْنِهَا أَلْفَاظًا تَدُلُّ عَلَى صُورَةِ الشَّكْلِ وَالْقِيَاسُ لَا يَخْتَصُّ بِمَادَّةِ دُونَ مَادَّةٍ. كَمَا جَعَلَ أَهْلُ التَّصْرِيفِ لَفْظَ " فَعَلَ " تُقَابِلُ الْحُرُوفَ الْأَصْلِيَّةَ،
(١) بياض بالأصل

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