Al-Bidayah wa an-NihayahIbn Kathir

Traveling through distant horizons endows a man⦗1⦘ with graces never found in his own town.
Do you not see the pawn⦗2⦘ on the chessboard? Skillful movement⦗3⦘ lends it a beauty beyond its rank.

The august lady⦗4⦘ Banafsha bint ʿAbd Allah⦗5⦘—a freed slave of the caliph al-Mustaḍīʾ—was among his most favored consorts. After his death she became one of the most charitable of women, noted for her almsgiving, kindness, and beneficence toward scholars and the poor. She sponsored a well-known caravan route to the Ḥijaz, endowed the Hanbalis with a school and lucrative waqfs, and she was buried⦗6⦘ in her own mausoleum⦗7⦘ in Baghdad, beside the tomb of Maʿrūf al-Karkhī⦗8⦘.

Ibn al-Muḥtasib, the poet Abū al-Shukr: Maḥmūd⦗9⦘ ibn Sulaymān ibn Saʿīd al-Mawṣilī—known as Ibn al-Muḥtasib—studied jurisprudence in Baghdad, then traveled through many lands. He kept company with Ibn al-Shahrazūrī and returned with him; when Ibn al-Shahrazūrī became chief judge of Baghdad he appointed him inspector of the Niẓāmiyyah endowments. Ibn al-Muḥtasib was a man of learning⦗10⦘ and composed polished verse, such as the following, written in the al-munsarḥ metre⦗11⦘:

Lend us, in the pure wine of the grape,
all the gold you possess in your keep’s escape.
Stake your very self in a fair exchange,
out of the wealth we hold, let your fortunes range.
All that lies in the purse looks cheap to the wise
when he kisses her mouth with its pearl-bright guise.
Especially when she comes to you shining like gold,
her neck encircled with a string of pearls untold.
The cup-bearer’s hand is burned by the flame
if the goblet delays with her even one turn of the game.
Whenever she appears⦗12⦘, she steals the ear
with the gentle allure of pastime and cheer.

(1) In the printed edition: “minha.” (2) In the printed edition: “al-baydhiq.” (3) In the printed edition: “zīnatahu.” (4) In the printed edition: “yanfishā bint ʿAbd Allāh al-sitt al-jalīlah.” (5) In the manuscript: “banfisyā,” and in the printed edition: “yanfishā.” Both are scribal errors. His biography is given in Ibn al-Athīr (vol. 9, p. 258) under the name “banqashah,” and also in Dhayl al-Rawdatayn (no. 29) and Tārīkh al-Islām (vol. 12, p. 1138). (6) Found only in the printed edition. (7) In al-Uṣūlain and in the printed edition: “ʿinda.” Here “min” serves only the flow of the context. (8) Appears afterward in the manuscript; in the printed edition: “ṣadaqāt wa-birr.” (9) His biography appears in Tārīkh al-Islām (vol. 12, pp. 1158–1159). (10) Not found in the printed edition. (11) Neither the qaṣīdah nor the one following it appears in the printed edition; they are replaced by the statement: “And he has verses on wine of no worth; I have omitted them to dissociate myself from that and out of abhorrence for it.” (12) In both al-Uṣūlain the word is “lā tubayyin”; it may perhaps be so, God knows best, in order to preserve the meter of the poetry. (ʿ)
تَنَقُّلُ المَرْءِ في الآفاقِ يُكْسِبُهُ … مَحاسِنًا لَمْ يَكُنْ فيها (١) بِبَلْدَتِهِ أَمَا تَرى بَيْدَقَ (٢) الشَّطْرنجِ أَكْسَبَهُ … حُسْنُ التَّنَقُّلِ حُسْنًا فَوْقَ رُتْبَتِهِ (٣) الست الجليلة (٤) بنفشا بنت عبد الله (٥) : عتيقة المستضيء، وكانت من أكبر حظاياه، ثم صارت بعده من أكثر النساء صدقة وبرًا وإِحسانًا إِلى العلماء والفقراء، لها [بطريق الحجاز معروف كبير، وقفت على الحنابلة مدرسة وأوقافًا دارَّةً، ودفنت] (٦) في (٧) تربتها ببغداد عند تربة معروف الكرخي (٨) . ابن المحتسب الشاعر أبو الشكر: محمود (٩) بن سليمان بن سعيد الموصلي يعرف بابن المحتسب، تفقه ببغداد، ثم سافر إِلى البلاد، وصحب ابن الشهرزوري، وقدم معه، فلما ولي قضاء بغداد ولاه نظر أوقاف النظامية، وكان فاضلًا (١٠) يقول الشعر الرائق، فمن ذلك: [من المنسرح] (١١) أَسْلِفْ لَنا في سُلافَةِ العِنَبِ … جَميعَ ما تَقْتَني مِنَ الذَّهَبِ وَانْشبْ مَعَ النَّفْسِ في مُعامَلةٍ … فيها بما عِنْدَنا مِنَ النَّشَبِ جَميعَ ما في الهِمْيانِ يَحْقرُهُ الـ … ـعاقِلُ في لَثْمِ ريقها الشَّنبِ لا سِيَّما إِن أَتَتْكَ كالذَّهَبِ … قَدْ قَلَّدوها عَقْدًا مِنَ الحَبَبِ تَحْرِقُ كَفُّ المُديرِ إِن وقفَ الدَّ … وْرُ بها ساعَةً منَ اللَّهَبِ إِذَا بَدا [لم] (١٢) تَسْترق السَـ … ـمْعَ برِفْقِ اللَّهْوِ واللَّعبِ
(١) ط: منها. (٢) ط: البيدق. (٣) ط: زينته. (٤) ط: ينفشا بنت عبد الله الست الجليلة. (٥) أ: بنفسيا، وفي ط: ينفشا. وكلاهما تصحيف وترجمتها في ابن الأثير (٩/ ٢٥٨) وفيه: بنقشه، وذيل الروضتين (٢٩) وتاريخ الإسلام (١٢/ ١١٣٨). (٦) عن ط وحدها. (٧) في الأصلين و ط: عند. وما هنا للسياق. (٨) بعدها في أ، ط: صدقات وبر. (٩) ترجمته في تاريخ الإسلام (١٢/ ١١٥٨ - ١١٥٩). (١٠) ليس في ط. (١١) ليست القصيدة. ولا التي تليها في ط، ومكانهما العبارة التالية: وله أشعار في الخمر لا خير فيها تركتها تنزهًا عن ذلك وتقذرًا لها. (١٢) في الأصلين كلمة لا تبين، ولعلها تكون هكذا، والله أعلم، لكي يستقيم وزن الشعر (ع).

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