Al-Bidayah wa an-NihayahIbn Kathir

Owing (1) to the length of time he resided there and the many lessons he delivered, he became closely associated with the school. He (2) was not, however, its first lecturer; indeed, several other scholars (3) had preceded him, as noted above in the life of Nūr al-Dīn. Al-ʿImād later served as a secretary (4) in the Ṣalāḥid administration, and al-Qāḍī al-Fāḍil used to praise and thank him. They said that in everyday speech his diction could be stiff and hesitant, whereas his poetic faculty was extraordinarily sharp and vigorous.

Al-Qāḍī al-Fāḍil once said to his companions, “Pass judgment on him (5).” They spoke and offered various comparisons, but al-Fāḍil (6) rejected them, saying, “He is like flint: cold on the outside, fire within.”

Among his works are Khareedat al-Qaṣr (7) on the poets of his age, al-Fatḥ al-Qudsī, al-Barq al-Shāmī, and other books written in rhymed prose, with paired cadences (8), long odes, and elegantly fashioned themes and vocabulary.

A graceful sample of his love-poetry (9) reads:

[from the khafīf metre]

How can you say his eyes are languid,
when I see them, far from languor, tyrannise?
Had you seen how his glance enslaves,
you would have called it captor, not captive.
He draws the bow of his eyebrows to strike my heart,
as though he sought revenge.
Do not ask me (10) about the wine (11)—my reason
is already brimming (12) with its dregs and lies prostrate.
How can a rapt lover ever sober up
when doe-eyed beauties have mixed his cup?
Those wide pupils passed on their wasting fever,
and the slender waists bestowed on him their emaciation.
No dormant lion is ever snared
save by gazelles that keep to their secluded lairs.

(1) T: a nisba (attribution) referring to his dwelling there, his residence in it, and his teaching there. (2) Not in T. (3) Not in B. (4) A, B: then it reads “in the Salahi state.” (5) From B alone. (6) T: al-Qadi (the judge). (7) T: al-Jarida appears as Jaridat al-Nasr—a striking typographical error. (8) T: al-Mutanawiʿa (the miscellaneous). (9) The verses occur in Diwan al-Imad (pp. 177–184) as part of an 85-verse poem composed in 562 AH in praise of Salah al-Din; 28 of these appear in Rawdatayn (vol. 1, p. 146). (10) A, B: la tas’alni (“do not ask me”). (11) In the Diwan: al-Lihaz. (12) A: al-Khunaysirat; B: al-Khasbat.
لكثرة (١) إِقامته بها وتدريسه فيها، ولم يكن هو (٢) أول من درَّس بها، بل قد سبقه إِلى تدريسها غير (٣) واحد كما تقدم في ترجمة نور الدين، ثم صار العماد كاتبًا (٤) في الدولة الصلاحية، وكان القاضي الفاضل يثني عليه ويشكره، قالوا: وكان منطوقه يعتريه جمود وفترة، وقريحته في غاية الجودة والحدّة. وقد قال القاضي الفاضل لأصحابه يومًا: قولوا فيه (٥) ، فتكلموا وشبَّهوه في هذه الصفة بصفات، فلم يقبلها الفاضل (٦) ، وقال: هو كالزناد ظاهره بارد وداخله نار. وله من المصنفات "خريدة القصر (٧) في شعراء العصر" ، و "الفتح القدسي" ، و "البرق الشامي" وغير ذلك من المصنفات المسجعة، والعبارات المصرعة (٨) والقصائد المطولة والمعاني والألفاظ المُؤَثّلة. ومن لطيف تغزله قوله (٩) : [من الخفيف] كَيْفَ قُلْتُمْ في مُقْلَتَيْهِ فُتورُ … وَأَراها بلا فُتورٍ تَجورُ لو بَصُرْتُمْ بِطَرْفِهِ كَيْفَ يَسْبي … قُلْتُمُ ذاكَ كاسِرٌ لا كَسيرُ مُوتِرٌ قَوْسَ حاجِبَيْهِ لإصْما … ءِ فُؤادي كَأَنَّهُ مَوْتُورُ لا تَسَلْني (١٠) عن العقارِ (١١) فَعَقْلِي … طافِحً (١٢) مِنْ عُقارِهِنّ عَقِيرُ كَيْفَ يَصْحو من سُكْرِهِ مُسْتَهامٌ … مَزَجَتْ كَأْسَهُ العيونُ الحُورُ أَوْرَثَتْهُ سقامَها الحَدَقُ النُّجْـ … ـلُ وَأَهْدَتْ لَهُ النُّحولَ الخُصُورُ ما يَصيدُ الأُسْدَ الخَوادِر إِلا … ظَبَيَاتٌ كُناسُهُنَّ الخُدورُ
(١) ط: نسبة إِلى سكناه بها وإِقامته فيها وتدريسه بها. (٢) ليس في ط. (٣) ليس في ب. (٤) أ، ب: ثم كتب في الدولة الصلاحية. (٥) عن ب وحدها. (٦) ط: القاضي. (٧) ط: الجريدة جريدة النصر، وهذا تصحيف عجيب. (٨) ط: المتنوعة. (٩) الأبيات في ديوان العماد (١٧٧ - ١٨٤) ضمن قصيدة مؤلفة من ٨٥ بيتًا قالها سنة ٥٦٢ في مدح صلاح الدين. ومنها ٢٨ بيتًا في الروضتين (١/ ١٤٦). (١٠) أ، ب: لا تسألني. (١١) في الديوان: اللحاظ. (١٢) أ: الخنيصرات. ب: الخصبات.

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