Al-Bidayah wa an-NihayahIbn Kathir

He also composed, on the pen-wiper:

[from the majzūʿ al-rajaz]
A pen-wiper whose daylight [is its abode] (1)
from the night of pitch-black gloom;
as though, along its very edge,
it were a kerchief for the pen-tips.

And he said:
We passed the night in a state that gladdens desire,
yet it admits of no description.
Night was our doorkeeper, and we told him,
“If you leave us, dawn will burst in upon us.”

The Sultan al-ʿAzīz ʿUthmān ibn al-Nāṣir asked him about a concubine from among his favorites who had sent him (2) a gold button wrapped in black ambergris. Al-Fāḍil thereupon composed (3):

She sent you ambergris, and at its core
a button of finest gold, its joint (4) unseen.
The button inside the ambergris conveys their common intent:
“Pay a visit in this fashion (5), hidden away in the dark.” (6)

The Qāḍī (7) Ibn Khallikān (8) said: There is disagreement concerning his honorific; some say Muḥyī al-Dīn, others Mujīr al-Dīn. It is related from ʿImārah al-Yamanī that he mentioned him in handsome terms (9), and that al-ʿĀdil—indeed, al-Ṣāliḥ—was the one who summoned him from Alexandria, employed him, and counted him among his own good deeds while he weighed heavily upon his peers. Qāḍī Ibn Khallikān has set out his biography much as we have related; what is recorded here, however, contains many additional details. Allah knows best.

[Then the year 597 AH began]
In it a severe famine struck the land of Egypt, and very many (10) of both the poor and the wealthy perished; ruin followed in its wake.

(1) In the original text the wording is unclear; perhaps it should read as follows—God knows best—to preserve the poem’s meter. (2) The printed edition reads: “And she sent one of al-Malik al-ʿAziz’s own maids to al-Malik al-ʿAziz.” (3) The printed edition reads: “Then al-Malik al-Fadil inquired into what she intended by sending it, and so he began to recite.” (4) The printed edition reads: “A button of fine gold.” (5) The printed edition reads: “Then the button.” (6) These verses are found in al-Wafayāt al-Aʿyān, vol. 3, pp. 160–161. (7) Not found in the printed edition. (8) al-Wafayāt al-Aʿyān, vol. 3, p. 163. (9) The printed edition reads: “That he used to mention.” (10) Only present in the printed edition.
وله في ممسحة القلم: [مجزوء الرجز] مِمسحةٌ نَهارُها … [سكناها] (١) عن لَيْلِ الظُّلَمْ كَأَنَّها مِنْ طَرْفِها … مِنْديلُ أطرافِ القَلَمْ وقوله: بِتْنَا عَلَى حالٍ تسرُّ الهَوى … لكِنَّهُ لا يمكنُ الشَّرْحُ بَوَّابنا اللَّيْلُ وقُلْنا لَهُ … إِنْ غِبْتَ عَنَّا هَجَمَ الصُّبْحُ وسأله الملك العزيز عثمان بن الناصر عن جارية من حظاياه أرسلت له (٢) زِرًّا من ذهب مغلَّف بعنبر أسود، فأنشأ الفاضل (٣) يقول: أَهْدَتْ لَكَ العَنْبَرَ في وَسْطِهِ … زِرّ مِنَ التّبْرِ خَفِيّ (٤) اللِّحامْ الزرُّ (٥) في العَنْبَرِ مَعْنَاهُما … زُرْ هكذَا مُخْتَفِيًا في الظَّلام (٦) قال القاضي (٧) ابن خلكان (٨) : وقد اختلف في لقبه فقيل: محيي الدين، وقيل: مجير الدين، وحكي عن عمارة اليمني [أنه ذكره بذكر] (٩) جميل، وأن العادل بل الصالح هو الذي استقدمه من الإِسكندرية، واستخدمه، وكان معدودًا من حسناته، ومثقلًا لكفاته. وقد بسط القاضي ابن خلكان ترجمته بنحو ما ذكرنا، وفي هذه زيادة كثيرةٌ، والله أعلم. [ثم دخلت سنة سبع وتسعين وخمسمئة] فيها: اشتد الغلاءُ بأرض مصر جدًا، فهلك خلق (١٠) كثير جدًا من الفقراء والأغنياء، ثم أعقبه فناء
(١) في الأصل الكلام غير واضح، ولعلها تكون هكذا والله أعلم، لكي يستقيم وزن الشعر (ع). (٢) ط: وأرسلت جارية من جواري الملك العزيز إِلى الملك العزيز. (٣) ط: فسأل الملك الفاضل عن معنى ما أرادت بإِرساله فأنشأ يقول. (٤) ط: زر من التبر رقيق. (٥) ط: فالزر. (٦) الأبيات في وفيات الأعيان. (٣/ ١٦٠ - ١٦١). (٧) ليس في ط. (٨) وفيات الأعيان (٣/ ١٦٣). (٩) ط: أنه كان يذكر. (١٠) عن ط وحدها.

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