Al-Bidayah wa an-NihayahIbn Kathir

Mardin, and she bore him several sons, every one of whom later ruled Mosul. That noble lady (1) would set aside her veil (2) in the presence of fifteen kings.

In the same year King Nūr al-Dīn Maḥmūd (3) marched on Sinjār and captured it. His brother Quṭb al-Dīn Mawdūd sent an army against him to drive him out, but they soon reached an agreement: Nūr al-Dīn ceded Sinjār to Quṭb al-Dīn in return for al-Raḥba and Ḥimṣ. Sinjār thus remained with Quṭb al-Dīn, and Nūr al-Dīn returned to his own realm. That year he also raided the Franks (4), killed a great multitude of them, and took prisoner the prince, the ruler of Antioch. The poets extolled him; among them was al-Fath al-Qaysarānī, who composed a ringing ode, opening with these lines (5):

[basīṭ metre] (6)
These are the deeds of resolve, not the boasts brandished by swords (7);
these are true acts of generosity, not the tales inscribed in books.
These are the lofty ambitions which, whenever they are proclaimed,
make both poems and sermons trip over themselves in their wake.
O son of ʿImād al-Dīn, you have grasped their summit
with a palm for which all other striving is but toil (8).
Your forefather never ceased to raise each towering height
until he built a dome whose pegs are the very stars (9).

In that year as well Nūr al-Dīn captured the fortress of Afāmiya, near Ḥamāh.

That year the ruler of Egypt, al-Ḥāfiẓ li-Dīn Allāh ʿAbd al-Majīd ibn Abī al-Qāsim Muḥammad ibn al-Mustanṣir, died; authority then passed to his son al-Ẓāfir Ismāʿīl (10)(11). Aḥmad ibn al-Afḍal, son of the Commander of Armies, had already seized control of al-Ḥāfiẓ and, in Egypt, had delivered the Friday sermon on behalf of the Awaited Qaʾim of the End-Time and had inserted into the call to prayer the phrase “Come to the best of deeds” (12).

This same al-Ḥāfiẓ was the inventor of the “colic drum”: when it was beaten for someone suffering from colic, the pain and the wind that afflicted him would depart (13).

(1) In the printed edition: al-mara’ah (the woman). (2) In both B and the printed edition: bayn (between). (3) Not present in the printed edition. (4) In the printed edition: thumma ghaza fiha al-faranj (then the Franks raided there). (5) In the A copy: fi akhiraha (at its end); a scribal error. (6) These couplets form the opening of a poem of fifty-two verses, found in al-Rawdatayn (vol. 1, pp. 58–60). (7) In the printed edition: tana’iq (they cawed). (8) In the A copy: ta’abbaha (her fatigue). (9) In al-Rawdatayn: ibtana. (10) His biography and accounts are found in Ibn al-Athir (vol. 9, pp. 24–25), al-Rawdatayn (vol. 1, p. 65), Wafayat al-Ayan (vol. 3, pp. 235–237), and al-Ibar (vol. 4, p. 122). (11) His accounts and biography are in Ibn al-Athir (vol. 9, pp. 43–44), al-Rawdatayn (vol. 1, pp. 97–98), Wafayat al-Ayan (vol. 1, p. 237), and al-Ibar (vol. 4, p. 136). (12) In the printed edition: wa khataba lahu bi Misr thalathan thumma akhara al-amr adhina (and he preached in Egypt three times, then finally granted permission). (13) In the A copy: wa lil hafiz wada’a qalilan al qulanj alladhi kana min darbihi yakhruju khurujan (and for the hafiz he prescribed a small dose of qulanj, which, due to its potency, produced a strong discharge).
ماردين، فولدت له أولادًا، كلهم ملكوا الموصل، وكانت هذه الخاتون (١) تضع خمارها بحضرة (٢) خمسة عشر ملكًا. وفيها سار الملك نور الدين محمود (٣) إلى سنجار ففتحها، فجهز إليه أخوه قطب الدين مودود جيشًا ليرده عنها، ثم اصطلحا، فعوّضه عنها الرحبة وحمص، واستمرت سنجار لقطب الدين، وعاد نور الدين إلى بلده. وغزا في هذه السنة الفرنج (٤) فقتل منهم خلقًا، وأسر البرنس صاحب أنطاكية. فمدحه الشعراء، منهم الفتح القيسراني بقصيدة طنَّانة يقول في أولها (٥) : [من البسيط] (٦) هذي العَزائِمُ لا ما تَدَّعي (٧) القُضُبُ … وَذِي المَكارمُ لا ما قالتِ الكتُبُ وهذِهِ الهِمَمُ اللَّاتي مَتَى خَطَبَتْ … تعثَّرتْ خَلْفَها الأشعارُ والخُطبُ صافحتَ يا بْنَ عمادِ الدِّينِ ذِروَتَها … براحةٍ للمساعي دُونَها (٨) تَعَبُ ما زالَ جدُّكَ يبني كُلَّ شاهقةٍ … حتى بنى (٩) قُبَّةً أوتادُها الشُّهبُ وفيها: فتح نور الدين حصن أفامية، وهو قريب من حماة. وفيها: مات صاحب مصر الحافظ (١٠) لدين الله عبد المجيد بن أبي القاسم محمد بن المستنصر، فقام بالأمر من بعده ولده الظافر (١١) إسماعيل. وقد كان أحمد بن الأفضل بن أمير الجيوش قد استحوذ على الحافظ، [وخطب بمصر للقائم آخر الزمان، وأذّن] (١٢) بحيّ على خير العمل. والحافظ هذا هو الذي وضع طبل القولنج الذي إذا ضربه من به القولنج يخرج منه القولنج والرِّيح الذي به (١٣) .
(١) ط: المرأة. (٢) ب، ط: بين. (٣) ليس في ط. (٤) ط: ثم غزا فيها الفرنج. (٥) آ: في أخرها. تصحيف. (٦) الأبيات مطلع قصيدة تقع في اثنين وخمسين بيتًا وردت في الروضتين (١/ ٥٨ - ٦٠). (٧) ط: تنعق. (٨) آ: تعبها. (٩) في الروضتين: ابتنى. (١٠) ترجمته وأخباره عند ابن الأثير (٩/ ٢٤ - ٢٥) والروضتين (١/ ٦٥) ووفيات الأعيان (٣/ ٢٣٥ - ٢٣٧) والعبر (٤/ ١٢٢). (١١) أخباره وترجمته عند ابن الأثير (٩/ ٤٣ - ٤٤) والروضتين (١/ ٩٧ - ٩٨) ووفيات الأعيان (١/ ٢٣٧ - ٢٣٧) والعبر (٤/ ١٣٦). (١٢) ط: وخطب له بمصر ثلاثًا، ثم أخر الأمر أذن. (١٣) آ: وللحافظ وضع قليل القولنج الذي كان من ضربه يخرج خروج.

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