Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

—two or three exercises,(1) after which I would go to ʿĀtika bint Shuhda and take from her a melody or two, then to al-Asmaʿī and Abū ʿUbayda to profit from them both, and finally to al-Rashīd’s assembly late in the day.(2)

Ibn al-Aʿrābī used to describe Isḥāq as learned, honest, and possessing a prodigious memory. He would say, “Have you ever heard a lovelier opening than his:

Is there a way for my eyes at last to sleep? …
My bond with slumber has been severed long and deep.(3)

Isḥāq recounted: “When we travelled with al-Rashīd to al-Raqqah, al-Asmaʿī asked me, ‘How many of your books did you bring?’ I replied, ‘Sixteen trunks.’”

It is reported from Isḥāq that he disliked being ascribed to singing, saying, “I would rather be struck on the head with clubs than have it said of me, ‘He is a singer.’”

Al-Maʾmūn remarked, “Had Isḥāq not been publicly known for singing, I would have appointed him to the judiciary.”

Al-Ṣūlī relates: Abū al-ʿAynāʾ informed us, Isḥāq al-Mawṣilī narrated:

“I once brought Abū Muʿāwiyah al-Ḍarīr a collection of one hundred hadiths. I found another blind man acting as his doorkeeper, hoping to profit thereby, so I gave him one hundred dirhams. He secured permission for me, and I recited the hundred hadiths. Abū Muʿāwiyah then said to me, ‘That fellow is a feeble repeater; whatever you promised him he will scrounge from the dregs of people, whereas you are who you are.’

I said, ‘I have…’

(1) The base manuscript reads “tarikayn” (two roads), which is a scribal corruption; the correct reading, taken from al-Aghani 5/272, is “al-turuq.” A marginal gloss adds: al-turuq, with an open initial t, means a sound or melody on the lute and similar instruments. (2) For the full report, see al-Aghani 5/271–272. (3) The passage also appears in al-Aghani 5/332 (Dar al-Kutub ed.). It is followed by the couplet: “Ghaba anni man la usammi fa-ayni / kulla yawmin wajdan alayhi tasilu” (“He whose name I will not utter is absent from me; each day my eyes stream with longing for him”). The compiler notes that whenever Ishaq sang it, tears would flow down his beard and he would weep most bitterly. The same verse is recorded in Tarikh Baghdad 6/343.
طَرْقَيْنِ (١) أَوْ ثَلاَثَةً، ثُمَّ آتَي عَاتِكَةَ بِنْتَ شَهْدَةَ، فَآخُذُ مِنْهَا صَوتاً أَوْ صَوْتَيْنِ، ثُمَّ آتَي الأَصْمَعِيَّ، وَأَبَا عُبَيْدَةَ، فَأَسْتَفِيْدُ مِنْهُمَا، وَآتَي مَجْلِسَ الرَّشِيْدِ بِالعَشِيِّ (٢) . كَانَ ابْنُ الأَعْرَابِيِّ يَصِفُ إِسْحَاقَ بِالعِلْمِ وَالصِّدْقِ وَالحِفْظِ، وَيَقُوْلُ: هَلْ سَمِعْتُمْ بِأَحْسَنَ مِنِ ابْتِدَائِهِ: هَلْ إِلَى أَنْ تَنَامَ عَيْنِي سَبِيْلُ ... إِنَّ عَهْدِيَ بِالنَّوْمِ عَهْدٌ طَوِيْلُ (٣) قَالَ إِسْحَاقُ: لَمَّا خَرَجْنَا مَعَ الرَّشِيْدِ إِلَى الرَّقَّةِ، قَالَ لِيَ الأَصْمَعِيُّ: كمْ حَمَلْتَ مَعَكَ منْ كُتُبِكَ؟ قُلْتُ: سِتَّةَ عَشَرَ صُندُوقاً. وَعَنْ إِسْحَاقَ: أَنَّهُ كَانَ يَكرَهُ أَنْ يُنسَبَ إِلَى الغِنَاءِ، وَيَقُوْلُ: لأَنْ أُضرَبَ عَلَى رَأْسِي بِالمَقَارِعِ، أَحَبُّ إِلَيَّ مِنْ أَنْ يُقَالَ عَنِّي: مُغَنِّي. وَقَالَ المَأْمُوْنُ: لَوْلاَ شُهْرَةُ إِسْحَاقَ بِالغِنَاءِ، لَوَلَّيْتُهُ القَضَاءَ. الصُّوْلِيُّ: أَخْبَرَنَا أَبُو العَيْنَاءِ، حَدَّثَنَا إِسْحَاقُ المَوْصِلِيُّ، قَالَ: كُنْتُ قَدْ جِئْتُ أَبَا مُعَاوِيَةَ الضَّرِيْرَ بِمائَةِ حَدِيْثٍ، فَوَجَدْتُ ضَرِيْراً يَحْجُبُهُ لِيَنفَعَهُ، فَوَهبتُهُ مائَةَ دِرْهَمٍ، فَاسْتَأْذَنَ لِي، فَقَرَأْتُ المائَةَ حَدِيْثٍ، فَقَالَ لِي أَبُو مُعَاوِيَةَ: هَذَا مُعِيدٌ ضَعِيْفٌ، وَمَا وَعَدتَهُ فَيَأْخُذَهُ منْ أَذنَابِ النَّاسِ، وَأَنْتَ أَنْتَ. قُلْتُ: قَدْ
(١) في الأصل " طريقين " وهو تحريف، والتصحيح من " الاغاني " ٥ / ٢٧٢. وجاء في الحاشية: والطرق، بالفتح: صوت أو نغمة بالعود ونحوه. (٢) انظر الخبر بتمامه في " الاغاني " ٥ / ٢٧١، ٢٧٢. (٣) هو في " الاغاني " ٥ / ٣٣٢ طبعة دار الكتب، وجاء بعده: غاب عني من لاأسمي فعيني * كل يوم وجدا عليه تسيل قال: وكان إسحاق إذا غناه، تفيض دموعه على لحيته، ويبكي أحر بكاء. والبيت في " تاريخ بغداد " ٦ / ٣٤٣.

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