Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

ibn Maymūn al-Tamīmī, the Mosuli, a chronicler, a master of music, of graceful poetry, and of elegant literary compositions; yet he was also versed in jurisprudence, language, the annals of people, keen insight into ḥadith, and of high distinction.

He was born in the mid-150s AH.

He heard ḥadith from Mālik ibn Anas, Hushaym ibn Bashīr, Sufyān ibn ʿUyaynah, Baqiyyah ibn al-Walīd, Abū Muʿāwiyah al-Ḍarīr, al-Aṣmaʿī, and many others.

Those who transmitted from him include his son Ḥammād—known as al-Rāwiyah—his own teacher al-Aṣmaʿī, al-Zubayr ibn Bakkār, Abū ʿUbaynā, Yazīd ibn Muḥammad al-Muhallabī, and others.

The major ḥadith critics did not relate much from him because his duties at court kept him away from them.

Another report states that he was born in 150 AH.

Ibrāhīm al-Ḥarbī said, “He was reliable and learned.”

Al-Khaṭīb said, “He had delightful witticisms, sound knowledge, excellent poetry, and was famed for his generosity.”

He authored the Book of Songs (Kitāb al-Aghānī), which his son transmits from him.

Isḥāq al-Mawṣilī said, “For a long stretch of my life I would set out at dawn every day to Hushaym or another of the ḥadith scholars; then I would go on to al-Kisāʾī, or al-Farrāʾ, or Ibn Ghazālah and recite to him a portion of the Qur’an, and after that to Abū Manṣūr Zalzal (1), who would drill me.”

= 509; Nuzhat al-albaʾ, p. 227; Muʿjam al-udabaʾ, 6/5, 58; Inbaʾ al-ruwat, 1/215; Wafayat al-aʿyan, 1/202, 205; al-ʿIbar, 1/420; al-Wafi bil-wafayat, 8/388, 393; al-Bidaya waʾl-nihaya, 10/314, 315; al-Nujum al-zahira, 2/260 and 280, 281; Lisan al-mizan, 1/350; Shadharat al-dhahab, 2/82, 84; Tahdhib Ibn ʿAsakir, 2/414. (1) He was the one who taught Ishaq al-Mawsili to play the ʿud (lute). Al-Aghani (5/275) reports that al-Mawsili later gave him about one hundred thousand dirhams from his personal wealth, in addition to what he obtained for him from the caliphs and from his father.
مَيْمُوْنٍ التَّمِيْمِيُّ، المَوْصِلِيُّ، الأَخْبَارِيُّ، صَاحِبُ المُوْسِيقَى، وَالشِّعْرِ الرَّائِقِ، وَالتَّصَانِيْفِ الأَدَبِيَّةِ، مَعَ الفِقْهِ، وَاللُّغَةِ، وَأَيَّامِ النَّاسِ، وَالبَصَرِ بِالحَدِيْثِ، وَعُلُوِّ المَرْتَبَةِ. وُلِدَ: سَنَةَ بِضْعٍ وَخَمْسِيْنَ وَمائَةٍ. وَسَمِعَ مِنْ: مَالِكِ بنِ أَنَسٍ، وَهُشَيْمِ بنِ بَشِيْرٍ، وَسُفْيَانَ بنِ عُيَيْنَةَ، وَبَقِيَّةَ بنِ الوَلِيْدِ، وَأَبِي مُعَاوِيَةَ الضَّرِيْرِ، وَالأَصْمَعِيِّ، وَعَدَدٍ كَثِيْرٍ. حَدَّثَ عَنْهُ: وَلَدُهُ؛ حَمَّادٌ الرَّاوِيَةُ، وَشَيْخُهُ؛ الأَصْمَعِيُّ، وَالزُّبَيْرُ بنُ بَكَّارٍ، وَأَبُو العَيْنَاءِ، وَيَزِيْدُ بنُ مُحَمَّدٍ المُهَلَّبِيُّ، وَآخَرُوْنَ. وَلَمْ يُكْثِرْ عَنْهُ الحُفَّاظُ؛ لاشْتِغَالِهِ عَنْهُمْ بِالدَّوْلَةِ. وَقِيْلَ: وُلِدَ سَنَةَ خَمْسِيْنَ وَمائَةٍ. قَالَ إِبْرَاهِيْمُ الحَرْبِيُّ: كَانَ ثِقَةً، عَالِماً. وَقَالَ الخَطِيْبُ: كَانَ حُلْوَ النَّادِرَةِ، حَسَنَ المَعْرِفَةِ، جَيِّدَ الشِّعْرِ، مَذْكُوْراً بِالسَّخَاءِ. صَنَّفَ كِتَابَ (الأَغَانِي) ؛ الَّذِي يَرْوِيْهِ عَنْهُ ابْنُهُ. وَعَنْ إِسْحَاقَ المَوْصِلِيِّ، قَالَ: بَقِيْتُ دَهْراً منْ عُمُرِي أُغَلِّسُ كُلَّ يَوْمٍ إِلَى هُشَيْمٍ أَوْ غَيْرِهِ مِنَ المُحَدِّثِيْنَ، ثُمَّ أَصِيرُ إِلَى الكِسَائِيِّ، أَوِ الفَرَّاءِ، أَوِ ابْنِ غَزَالَةَ، فَأَقْرَأُ عَلَيْهِ جُزْءاً مِنَ القُرْآنِ، ثُمَّ إِلَى أَبِي مَنْصُوْرٍ زَلْزَلٍ (١) ، فَيُضَارِبُنِي
= ٥٠٩، نزهة الالباء: ٢٢٧، معجم الأدباء ٦ / ٥، ٥٨، إنباه الرواة ١ / ٢١٥، وفيات الأعيان ١ / ٢٠٢، ٢٠٥، العبر ١ / ٤٢٠، الوافي بالوفيات ٨ / ٣٨٨، ٣٩٣ البداية والنهاية ١٠ / ٣١٤، ٣١٥، النجوم الزاهرة ٢ / ٢٦٠ و٢٨٠، ٢٨١، لسان الميزان ١ / ٣٥٠، شذرات الذهب ٢ / ٨٢، ٨٤، تهذيب ابن عساكر ٢ / ٤١٤. (١) وهو الذي علم إسحاق الموصلي ضرب العود. وجاء في " الاغاني " ٥ / ٢٧٥ أن الموصلي أعطاه من ماله خاصة نحوا من مئة ألف درهم، سوى ما أخذه له من الخلفاء ومن أبيه.

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