Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

the doctrine of transmigration, mesmerizing people with extraordinary feats, diabolical displays, and claims to unveil portions of the unseen, until crowds of the deaf and the dumb were led astray by him.

He alleged that Allah had taken on the form of Adam—and for that reason had ordered the angels to prostrate before him—then the form of Noah, then Abraham, then the ancient sages, then Abū Muslim, the leader of the movement, and finally his own form. So they worshipped him and fought in his defence, even while beholding the ugliness of his build and the repulsiveness of his distorted face.

He was one-eyed, short, and tongue-tied. He fashioned a mask of gold for his face, and hence was called al-Muqannaʿ (“the Veiled One”).

Among the tricks by which he deluded them was a second moon they thought they saw in the sky—travellers two months’ journey away could still behold it. Concerning this Abū al-ʿAlāʾ ibn Sulaymān said:

Awake, O full moon whose head is veiled—
Error and misguidance resemble the moon of al-Muqannaʿ.

And Ibn Sanāʾ al-Mulk wrote:

I turn to you; for the moon of al-Muqannaʿ when it rises
Is no more enchanting than the glances of my turbaned moon.

When the calamity brought about by this wretch became unbearable, the army prepared to march against him and besieged him in his fortress on the edge of Khurasan—some said beyond the Oxus River—and the governor was appointed to lead the campaign

= 3/263–265; al-Ibar by al-Dhahabi, 1/235, 240–241; al-Bidaya wa-l-Nihaya, 10/145–146; Shadharat al-Dhahab, 1/248–249. (1) A man described as alkan: that is, one who cannot pronounce correct Arabic because of a foreign tongue. (2) The line is recorded in Shuruh Saqt al-Zand (Cairo, 1948), 4/1544, with the reading “Afq innama …”. It belongs to poem no. 66 addressed to Abu Ahmad Abd al-Salam b. al-Husayn al-Basri; its opening reads: Tahiyyata Kisra fi-s-sana’i wa Tubbaʿ * li-rubʿika la arda tahiyyata arbaʿ. (3) Diwan, 2/282, ed. Muhammad Ibrahim Nasr, Cairo, 1969. The poem praises King al-Muazzam Shams al-Dawla Turan Shah and opens: Taqannaʿtu lakin bil-habibi al-muʿammami * wa faraqtu lakin kulla ʿayshin mudhammami.
المنَاسِخِ، وَرَبطَ النَّاسَ بِالخَوَارِقِ وَالأَحْوَالِ الشَّيْطَانِيَّةِ، وَالإِخبَارِ عَنْ بَعْضِ المُغَيَّبَاتِ، حَتَّى ضَلَّ بِهِ خَلاَئِقُ مِنَ الصُّمِّ وَالبُكْمِ. وَادَّعَى أَنَّ اللهَ تَحوَّلَ إِلَى صُوْرَةِ آدَمَ، وَلِذَلِكَ أَمرَ المَلاَئِكَةَ بِالسُّجُودِ لَهُ، وَأَنَّهُ تَحوَّلَ إِلَى صُوْرَةِ نُوْحٍ، ثُمَّ إِبْرَاهِيْمَ، وَإِلَى حُكَمَاءِ الأَوَائِلِ، ثُمَّ إِلَى صُوْرَةِ أَبِي مُسْلِمٍ صَاحِبِ الدَّعْوَةِ، ثُمَّ إِلَيْهِ، فَعَبَدُوْه، وَحَارَبُوا دُوْنَهُ، مَعَ مَا شَاهَدُوا مِنْ قُبْحِ صُوْرتِهِ، وَسَمَاجَةِ وَجْهِهِ المُشَوَّهِ. كَانَ أَعْوَرَ، قَصِيْراً، أَلْكَنَ (١) ، اتَّخَذَ وَجْهاً مِنَ الذَّهَبِ، وَمِنْ ثَمَّ قَالُوا: المُقَنَّعُ. وَمِمَّا أَضَلَّهُم بِهِ مِنَ المَخَارِيقِ: قَمَرٌ ثَانٍ يَرَوْنَهُ فِي السَّمَاءِ، حَتَّى كَانَ يَرَاهُ المُسَافِرُوْنَ مِنْ مَسِيْرَةِ شَهْرَيْنِ، وَفِي ذَلِكَ يَقُوْلُ أَبُو العَلاَءِ بنُ سُلَيْمَانَ: أَفِقْ أَيُّهَا البَدْرُ المُقَنَّعُ رَأْسُهُ ... ضَلاَلٌ وَغَيٌّ مِثْلُ بَدْرِ المُقَنَّعِ (٢) وَلابْنِ سَنَاءِ المُلْكِ: إِلَيْكَ فَمَا بَدْرُ المُقَنَّعِ طَالِعاً ... بِأَسْحَرَ مِنْ أَلْحَاظِ بَدْرِي المُعَمَّمِ (٣) وَلَمَّا اسْتفحَلَ البَلاَءُ بِهَذَا الخَبِيْثِ، تَجَهَّزَ الجَيْشُ إِلَى حَرْبِه، وَحَاصَرُوْهُ فِي قَلْعَتِهِ بِطَرَفِ خُرَاسَانَ. وَقِيْلَ: بِمَا وَرَاءَ النَّهرِ، انْتُدِبَ لِحَرْبِهِ مُتَولِّي
= ٣ / ٢٦٣ - ٢٦٥، عبرا لذهبي: ١ / ٢٣٥، ٢٤٠ - ٢٤١، البداية والنهاية: ١٠ / ١٤٥ - ١٤٦، شذرات الذهب: ١ / ٢٤٨ - ٢٤٩. (١) رجل ألكن: بين اللكن، وهو الذي لا يقيم العربية من عجمة في لسانه. (٢) البيت في " شروح سقط الزند " (ط القاهرة: ١٩٤٨) : ٤ / ١٥٤٤ وفيه: " أفق إنما ... "، وهو من القصيدة السادسة والستين التي خاطب فيها أبا أحمد عبد السلام بن الحسين البصري، ومطلعها: تحية كسرى في السناء وتبع * لربعك لا أرضى تحية أربع (٣) الديوان: ٢ / ٢٨٢ (تحقيق محمد إبراهيم نصر: القاهرة: ١٩٦٩) ، وهو من قصيدة مدح بها الملك المعظم شمس الدولة توران شاه، مطلعها: تقنعت لكن بالحبيب المعمم * وفارقت لكن كل عيش مذمم

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