Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

The noonday sun has never outshone it in the least—
except that youth itself is not to endure.

Some transmitters added:
Many a noble forbearance has been squandered by poverty,
and many an ignorance concealed by ease and luxury. (1)

Then he cried out at the top of his voice from the fortress of Fāriʿ, “O sons of Qaylah!”
When they gathered around, they said, “Woe to you—what is the matter with you?”
He replied, “I have composed a qasīdah the like of which no Arab has ever uttered.”
When he recited it to them they said, “Was it for this that you summoned us?”
He answered, “And how can anyone whose breast is burning with anguish be expected to keep silent?” (2)

Al-Aṣmaʿī and others narrated—from Ibn Abī al-Zinād, from his father, from Khārijah ibn Zayd—who said:
“Singing used to take place at wedding gatherings, and none of the frivolity seen today was present. There was an assembly among Banū Nubayṭ in which were Ḥassān ibn Thābit, his son—who by then was blind—and two slave-girls chanting:
‘Look, my two companions, at the Gate of Damascus: can you see
beneath the Balqāʾ plain anyone at all? (3)
The scruffy herds when they set off from the
prison between the dunes and the hillside. (4)’
Ḥassān began to weep—those verses were his own—and his son kept saying to the girl, “Recite more.”
And among what she sang was:

(1) The original manuscript reads: "rubba zulmin ataʿahu ʿadamu l-māli * wa jahlun ghatta ʿalayhi n-naʿīm" (“how often injustice is obeyed for lack of money, and ignorance conceals enjoyment”). We have adopted instead the wording found in the Dīwān, p. 25, and in Ibn Hishām’s Sīra, 2/150. (2) The passage in brackets supplies the text missing from the manuscript; I restored it from Tahdhīb Ibn ʿAsākir, 4/136. Ibn Hishām, in the Sīra, reports that Hassān composed this ode at night, summoned his people, and said: “I feared death might overtake me before dawn, so do not transmit it in my name.” (3) The Dīwān (p. 66) reads: "unzur khalīlī bibatni Jallaq" (“Look, my friend, in the valley of Jallaq”). (4) So in the manuscript; the Dīwān, however, gives the hemistich as: "jamalun shaʿthāʾ qad habatna" (“dust-stained camels have just arrived”).
لَمْ تَفُقْهَا شَمْسُ النَّهَارِ بِشَيْءٍ ... غَيْرَ أَنَّ الشَّبَابَ لَيْسَ يَدُوْمُ زَادَ بَعْضُهُمْ: رُبَّ حِلْمٍ أَضَاعَهُ عَدَمُ المَا ... لِ، وَجَهْلٍ غَطَّى عَلَيْهِ النَّعَيْمُ (١) نَادَى بِأَعْلَى صَوْتِهِ عَلَى أَطَمَةِ فَارِعٍ: يَا بَنِي قَيْلَةَ! فَلَمَّا اجْتَمَعُوا، قَالُوا: مَا لَكَ وَيْلَكَ؟! قَالَ: قُلْتُ قَصِيْدَةً لَمْ يَقُلْ أَحَدٌ مِنَ العَرَبِ مِثْلَهَا. ثُمَّ أَنْشَدَهَا لَهُمْ، فَقَالُوا: أَلِهَذَا جَمَعْتَنَا؟ فَقَالَ: وَهَلْ يَصْبِرُ مَنْ بِهِ وَحَرُ الصَّدْرِ (٢) . الأَصْمَعِيُّ، وَغَيْرُهُ: عَنِ ابْنِ أَبِي الزِّنَادِ، عَنْ أَبِيْهِ، عَنْ خَارِجَةَ بنِ زَيْدٍ، قَالَ: كَانَ الغِنَاءُ يَكُوْنُ فِي العُرَيْسَاتِ، وَلاَ يَحْضُرُهُ شَيْءٌ مِنَ السَّفَهِ كَاليَوْمِ، كَانَ فِي بَنِي نُبَيْطٍ مَدْعَاةٌ، كَانَ فِيْهَا حَسَّانُ بن ثَابِتٍ، وَابْنُهُ - وَقَدْ عَمِيَ - وَجَارِيَتَانِ تُنْشِدَانِ: انْظُرْ خَلِيْلَيَّ بِبَابِ جِلِّقَ هَلْ ... تُؤْنِسُ دُوْنَ البَلْقَاءِ مِنْ أَحَدِ (٣) أَجْمَالَ شَعْثَاءَ إِذْ ظَعَنَّ مِنَ الـ ... ـمَحْبِسِ بَيْنَ الكُثْبَانِ وَالسَّنَدِ (٤) فَجَعَلَ حَسَّانُ يَبْكِي، وَهَذَا شِعْرُهُ، وَابْنُهُ يَقُوْلُ لِلجَارِيَةِ: زِيْدِيْ. وَفِيْهِ:
(١) في الأصل: رب ظلم أطاعه عدم الما * ل وجهل غطى عليه النعيم وما أثبتنا هو رواية الديوان: ٢٥ وسيرة ابن هشام ٢ / ١٥٠. (٢) ما بين الحاصرتين وهو جواب لما سقط من الأصل، واستدركته من " تهذيب ابن عساكر " ٤ / ١٣٦، وأما ابن هشام في السيرة فقال: قال حسان هذه القصيدة ليلا، فدعا قومه فقال لهم: خشيت أن يدركني أجلي قبل أن أصبح فلا ترووها عني. (٣) في الديوان: ٦٦ انظر خليلي ببطن جلق. (٤) كذا الأصل، ورواية الشطر في الديوان: جمال شعثاء قد هبطن.

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