Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

Around the year 400 AH he travelled to Tripoli, whose libraries held a vast collection of books. On his way he passed through Latakia and lodged at a monastery where a philosophizing monk resided. The monk’s discourse reached Abū al-ʿAlāʾ’s ears and stirred doubts for which he had no guiding light; a certain loosening of belief ensued, betrayed by the verses he later composed and recited. It is said, however, that he repented of this and came back to his senses.(1)

Despite everything, men of learning continued to make their way to his door and receive knowledge from him. He had first studied language with his father, and in Aleppo with the grammarian Muḥammad ibn ʿAbd Allāh ibn Saʿd. His yearly income was about thirty dinars, half of which he set aside for the servant who attended him. He lived on lentils and the like; his sweets were dried figs. He wore cotton clothes, slept on a felt pad laid over a rush mat,(2) and possessed a proud spirit that would not accept favors.

When his charitable endowment was challenged, he journeyed to Baghdad in the year 399 AH to seek justice, and there he recited passages from Saqṭ al-Zand.(3)

People say he could memorise everything that reached his ears, and he rarely left his house, styling himself “the prisoner of the two confinements”—his home and his blindness. He began composing poetry while still very young and would dictate his writings to his students entirely from memory.

Ṣāliḥ ibn Mirdās, the ruler of Aleppo, then marched forth and laid siege to Maʿarrat al-Nuʿmān.

(1) A similar version of this report is found in Inba al-Ruwat, 1/49. See also the extensive critique and rebuttal by the distinguished scholar Mahmud Shakir in his major work Abatil wa Asmar, pp. 32–80. (2) al-bardi: a plant used for weaving reed mats; its singular is bardiyya. In the Levant it is known by this name (Mujam Matn al-Lugha). (3) See Inba al-Ruwat, 1/49–50. (4) Mujam al-Udaba, 3/124. (5) His biography has already been given in vol. 17, no. 236.
ارْتَحَلَ فِي حُدُوْدِ الأَرْبَعِ مائَة إِلَى طرَابلس وَبِهَا كتب كَثِيْرَةٌ، وَاجتَاز بِاللاَّذقيَّة، فَنَزَلَ ديراً بِهِ رَاهِبٌ مُتفلسِفٌ، فَدَخَلَ كَلاَمُه فِي مسَامعِ أَبِي العَلاَءِ، وَحَصَلَتْ لَهُ شكوكٌ لَمْ يَكُنْ لَهُ نورٌ يَدفعُهَا، فَحصلَ لَهُ نوعُ انحَلاَلٍ دَلَّ عَلَيْهِ مَا يَنظمه وَيلهج بِهِ. وَيُقَالُ: تَابَ مِنْ ذَلِكَ وَارعوَى (١) . وَقَدْ سَارَتِ الفُضَلاَءُ إِلَى بَابه، وَأَخَذُوا عَنْهُ. وَكَانَ أَخَذَ اللُّغَة عَنْ أَبِيْهِ، وَبحلبَ عَنْ مُحَمَّدِ بنِ عَبْدِ اللهِ بنِ سَعْدٍ النَّحْوِيّ. وَكَانَتْ غَلَّتُه فِي العَامِ نَحْو ثَلاَثِيْنَ دِيْنَاراً، أَفرز مِنْهَا نِصْفهَا لمَنْ يَخدُمه. وَكَانَ غذَاؤُه العَدَسَ وَنَحْوهُ، وَحلوَاهُ التِّين، وَثيَابُه الْقطن، وَفِرَاشه لبَّادٌ وَحصِيْر بَرْدِي (٢) ، وَفِيْهِ قوَةُ نَفْس، وَتَرْكٌ لِلْمِنَنِ، عُورِضَ فِي وَقْفِهِ، فَسَافر إِلَى بَغْدَادَ يَتظلَّم فِي سَنَةِ تِسْعٍ وَتِسْعِيْنَ، وَحَدَّثَ بِهَا بسَقط الزّند (٣) . يُقَالُ: كَانَ يَحفظُ كُلَّ مَا مرَّ بِسَمِعَهُ، وَيُلاَزم بَيْتَه، وَسَمَّى نَفْسه رهن المَحْبِسَيْنِ؛ لِلزومه مَنْزِلَه وَلِلعمَى، وَقَالَ الشِّعرَ فِي حدَاثته، وَكَانَ يُمْلِي تَصَانِيْفَه عَلَى الطَّلَبَةِ مِنْ صَدْره (٤) . خَرَجَ صَالِح بنُ مِرْدَاسٍ ملك حلب (٥) ، فَنَازل المَعَرَّة يُحَاصرهَا،
(١) الخبر بنحوه في " إنباه الرواة " ١ / ٤٩. وانظر ما كتبه الأستاذ العلامة محمود شاكر في كتابه العظيم " أباطيل وأسمار " في نقد هذا الخبر وابطاله ص ٣٢ - ٨٠. (٢) البردي: نبات تصنع منه الحصر، واحدته بردية، ويعرف في بلاد الشام " معجم متن اللغة ". (٣) انظر " إنباه الرواة " ١ / ٤٩ - ٥٠. (٤) " معجم الأدباء " ٣ / ١٢٤. (٥) مرت ترجمته في الجزء السابع عشر برقم (٢٣٦) .

Company

  • About
  • Pricing
  • Why Translate?

Support

  • Contact us
  • Report a bug
  • Support us
  • Donate
  • AI combat arena

Follow us

© 2026 Kutub. All rights reserved.
Terms and conditionsPrivacy policyCookies