Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

and viziers (1), and he possessed an even longer reach in love poetry. As for ribald jesting and outright obscenity, he was their standard-bearer and the one who bore their full burden (2). He served as a scribe in various departments, received stipends, and for a period held the market inspectorate of Baghdad (3) before being dismissed. His verses contain innovative themes in which he had no predecessor (4). He was a cheeky Shiʿi—frivolous, playful, and a biting satirist—an entire nation unto himself in crafting indecencies and displaying quick wit. He also had learning in several disciplines of history, anecdote, and languages. I have come across his own words: “Everything licentious that I have uttered—Allah is witness that I intended only to lift the spirits; I seek Allah’s forgiveness for this slip.” It was said that he sent his dīwān, beautifully penned in the proportioned script, to the ruler of Egypt, who rewarded him with a thousand dinars.

(1) See Yaqut, Mujam al-udaba, 9:210 ff. (2) Among his verses: “My poetry, now a scandal in full view of the people, will not respond to my inspiration except when I enter the privy. O my master, my frivolity lies beneath my gravity, and beneath the silver the butcher swerves away. The silliness of my poetry is unavoidable; we have been cured and all shame has departed. Is there any house without a latrine in which a rational man could stay? On one occasion he was invited to a banquet, but the food was late. Watching the host pace back and forth, he improvised: ‘O you who go to and fro in your house without purpose and without benefit, your guests have gone mad from hunger; recite over them Surah al-Maida (The Table Spread).’ (3) He was appointed to that post by ʿIzz al-Dawla Bakhtiyar ibn Buwaih; see al-Nujum al-zahira, 4:204. (4) For the various genres of his poetry, see al-Thaʿalibi, Yatimat al-dahr, 3:31–99, and al-Safadi, al-Wafi bi-l-wafayat, 12:334–337.
وَالوُزَرَاء (١) ، وَلَهُ بَاعٌ أَطْوَل فِي الغَزَلِ. وَأَمَّا الزَّطَاطَةُ وَالتَفَحُّش، فَهُوَ حَامِلُ لِوَائهَا، وَالقَائِمُ بِأَعبَائِهَا (٢) . وَخدم بِالكِتَابَة فِي جهَات، وَأَخَذَ الجَوَائِز، وَولِي حِسْبَةَ بَغْدَاد مُدَّة (٣) وَعُزِلَ، وَلَهُ مَعَانٍ مُبْتَكَرَةٌ مَا سُبِقَ إِلَيْهَا (٤) . وَكَانَ شِيْعِيّاً رقيعاً، مَاجِناً مَزَّاحاً، هَجَّاءً، أُمَةً وَحدَهُ فِي نَظْمِ القَبَائِح وَخِفَّة الرُّوْحِ، وَلَهُ مَعْرِفَةٌ بفُنُوْنٍ مِنَ التَّارِيْخ وَالأَخْبَار وَاللغَات. ورَأَيْتُ لَهُ أَنَّهُ قَالَ: كُلُّ مَا قُلْتُهُ مِنَ المجُوْن فَاللهُ يَشْهَدُ أَنَّنِي مَا قَصَدْتُ بِهِ إِلاَّ بَسْطَ النَّفِسِ، وَأَنَا اسْتَغْفِرُ اللهَ مِنْ هَذِهِ العَثْرَة. وَقِيْلَ: إِنَّهُ بَعَثَ دِيْوَانه بِخَطّ مَنْسُوبٍ إِلَى صَاحِبِ مِصْر، فَأَجَازَهُ بِأَلف دِيْنَار.
(١) انظر " معجم الأدباء " ٩ / ٢١٠ وما بعدها. (٢) فمن شعره: شعري الذي أصبحت في * هـ فضيحة بين الملا لا يستجيب لخاطري * إلا إذا دخل الخلا ومنه: أيا مولاي هزلي تحت جدي * وتحت الفضة انحرف اللحام وشعري سخفه لابد منه * فقد طبنا وزال الاحتشام وهل دار تكون بلا كنيف * يكون لعاقل فيها مقام وحضر في دعوة، وأخر الطعام، ونظر إلى صاحب الدار يذهب ويجئ في داره، فقال: يا ذاهبا في داره جائيا * بغير معنى وبلا فائده قد جن أضيافك من جوعهم * فاقرأ عليهم سورة المائدة (٣) وليها لعز الدولة بختيار بن بويه. انظر " النجوم الزاهرة " ٤ / ٢٠٤. (٤) انظر فنون شعره في " يتيمة الدهر " ٣ / ٣١ - ٩٩، و" الوافي بالوفيات " ١٢ / ٣٣٤ - ٣٣٧.

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