Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

like the breath of a lovely maiden upon her mirror, once her beauty is complete though she is still unmarried. (1)

And Saʿīd says:
Do you not see the cloud, O hard-hearted one—
as though it were myself, measure for measure?
Its drops are like my tears, its lightning the blaze of sorrow
that burns within my heart, and its wind the sigh of my own breath. (2)

Abū Isḥāq al-Ṣābī (3) also composed about the two:
I behold the two Khalidite poets sending forth
odes that will remain eternal while the ages perish.
For in the union of their virtues they are one fused spirit,
yet in meaning—whichever way you turn—they stand as separate worlds.

Al-Nadīm states in the Fihrist: “They were quick at improvisation.”

Abū Bakr, one of the brothers, told me: “I have committed to memory a thousand tales, each tale running to about a hundred folios.”

He continued: “Yet whenever they admired something they would seize it from its owner—alive or dead; such was their nature.”

Abū ʿUthmān arranged his poems together with those of his brother, and I believe their servant Rashāʾ also classified them; the collection came to roughly a thousand folios. He later wrote, “They have both died,” and left the page blank, which shows that their death occurred before the year 377 AH.

Among their books are The Chronicle of Mosul, The Anecdotes of Abū Tammām, and other works of belles-lettres. (4)

(1) Both verses are recorded in Diwan al-Khalidiyyin, p. 34; there the first hemistich is given as: “wa-tanaqqabat bi-khafif ghaymin abyad” (she veiled herself with a thin white cloud). (2) The two verses are also found in Diwan al-Khalidiyyin, p. 135; in that copy the first hemistich of the second line reads: “qatrun ka-dam‘i wa-barqun mithla nari jawa” (raindrops like my tears and lightning like a fire of passion). (3) The poet is Abu Ishaq Ibrahim ibn Hilal al-Sabi al-Harrani; his biography appears later in this volume under no. 385. The verses are likewise cited in al-Yatima, 2/183, where the second is transmitted as: “huma fi ijtima‘i al-fadli zawjun muʾallaf” (together they are a perfectly matched pair in excellence). For their meaning when the singular reading is adopted, see al-Fihrist, pp. 240–241.
كَتَنَفُّسِ الحَسْنَاءِ فِي المِرْآةِ إِذْ ... كَمُلَتْ مَحَاسِنُهَا وَلَمْ تَتَزَوَّجِ (١) وَلِسَعِيْدٍ: أَمَا تَرَى الغَيْمَ يَا مَنْ قَلْبُهُ قَاسِي ... كَأَنَّهُ أَنَا مِقْيَاساً بِمِقْيَاسِ قَطْرٌ كَدَمْعِي وَبَرْقٌ مِثْلُ نَارِ أَسَىً ... فِي القَلْبِ مِنِّي وَرِيْحٌ مِثْلُ أَنْفَاسِي (٢) ونَظَمَ فِيْهِمَا أَبُو إِسْحَاقَ الصَّابِيُّ (٣) : أَرَى الشَّاعِرَيْنِ الخَالِدِيَّيْنِ سَيَّرَا ... قَصَائِدَ يَفْنَى الدَّهْرُ وَهْيَ تُخَلَّدُ هُمَا لاِجْتِمَاعِ الفَضْلِ رُوْحٌ مُؤَلَّفٌ ... وَمَعْنَاهُمَا مِنْ حَيْثُ مَا شِئْتَ مُفْرَدُ قَالَ النَّدِيْمُ فِي كِتَابِ (الفهْرَسْتِ) :كَانَا سَرِيْعَي البَدِيْهَةِ. قَالَ لِي أَبُو بَكْرٍ مِنْهُمَا: إِنِّي أَحْفَظُ أَلْفَ سمَرٍ، كُلُّ سمَرٍ فِي نَحْوِ مائَةِ وَرقَةٍ. قَالَ: وَكَانَا مَعَ ذَلِكَ إِذَا اسْتَحْسَنَا شَيْئاً غَصَبَاهُ صَاحِبَهُ حَيّاً كَانَ أَوْ مَيْتاً، كَذَا كَانَتْ طِبَاعُهُمَا. وَقَدْ رَتَّبَ أَبُو عُثْمَانَ شِعْرَهُ وَشِعْرَ أَخِيْهِ، وَأَحسبُ غُلاَمَهُمَا رَشَأ رَتَّبَ شِعْرَهُمَا، فَجَاءَ نَحْوَ أَلفِ وَرَقَةٍ، ثُمَّ قَالَ: تُوُفِّيَا وَبَيَّضَ فَدَلَّ عَلَى مَوْتِهِمَا قَبْلَ سَنَةِ سَبْعٍ وَسَبْعِيْنَ وَثَلاَثِ مائَةٍ. وَلَهُمَا مِنَ الكُتُبِ كِتَابُ (أَخْبَارِ المَوْصِلِ) ، وَ (أَخْبَارِ أَبِي تَمَّامٍ) وَغَيْرِ ذَلِكَ مِنَ الأَدَبيَّاتِ (٤) .
(١) البيتان في " ديوان الخالديين " ص: ٣٤، ورواية الشطر الأول فيه: وتنقبت بخفيف غيم أبيض (٢) البيتان في " ديوان الخالديين " ص: ١٣٥، ورواية الشطر الأول من البيت الثاني فيه: قطر كدمعي وبرق مثل نار جوى (٣) هو أبو إسحاق، إبراهيم بن هلال الصابي الحراني، تأتي ترجمته في هذا الجزء برقم (٣٨٥) . والبيتان في " اليتيمة ": ٢ / ١٨٣، ورواية الثاني فيها: هما في اجتماع الفضل زوج مؤلف * ومعناهما من حيث يثبت مفرد (٤) انظر " الفهرست ": ص ٢٤٠ - ٢٤١.

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