Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

151 – al-Raffāʾ, Abū al-Ḥasan al-Sarī ibn Aḥmad al-Kindī

The accomplished poet Abū al-Ḥasan al-Sarī ibn Aḥmad al-Kindī, a native of Mosul. He composed panegyrics for Sayf al-Dawlah and, in Baghdad, for al-Muhallabī. His collected poems (Dīwān) is well known.

A quarrel of satire and ill-will flared up between him and the two Khalid brothers (1); they injured him so severely that he was driven to earn his living as a copyist, spending his days transcribing his own Dīwān and selling it.

He died in Baghdad in the mid-360s AH.

Among his verses (2):
“The needle, in days gone by,
shielded my face and guarded my poetry;
But now the living it brings is narrow,
as though it trickled through its eye.”

And he also said (3):
“Bounty greets him with a gentle, radiant face,
yet when the two hosts clash, he turns unyielding;
His dwelling is spacious while he stays,
but should he march in his host,
the open plain itself grows tight.”

(*) Yatimat al-dahr, 2/117-182; Tarikh Baghdad, 9/194; al-Ansab, 6/141; al-Muntazam, 7/62-63; Muʿjam al-udabaʾ, 11/182-189; Wafayat al-aʿyan, 2/359-362; al-Ibar, 2/357; ʿUyûn al-tarikh, 11, fol. 194; al-Bidaya wa-l-nihaya, 11/270 and 274; al-Nujum al-zahira, 4/67; Shadharat al-dhahab, 3/73-74; Hadiyat al-ʿarifin, 1/383-384. (1) Their biography is given under no. 277 of this volume. (2) The verses appear in his Diwan, in Muʿjam al-udabaʾ, 1/184, and in Wafayat al-aʿyan, 2/360. (3) The cited lines are from a qasida praising Sayf al-Dawla; see the Diwan, p. 185, and Wafayat al-aʿyan, 2/360.
١٥١ - الرَّفَّاءُ أَبُو الحَسَنِ السَّرِيُّ بنُ أَحْمَدَ الكِنْدِيُّ * الشَّاعِرُ المُحْسِنُ، أَبُو الحَسَنِ السَّرِيُّ بنُ أَحْمَدَ الكِنْدِيُّ، المَوْصِلِيُّ. مَدَحَ سَيْفَ الدَّوْلَةِ، وَبِبَغْدَادَ المُهَلَّبِيَّ. وَ (ديوَانُهُ) مَشْهُوْرٌ. وَكَانَ بَيْنَهُ وَبَيْنَ الخَالديَّينِ (١) هجَاءٌ وَشرٌّ، فآذيَاهُ، حَتَّى احْتَاجَ إِلَى النَّسْخِ، فَبقيَ يَنْسَخُ (ديواَنَهُ) وَيَبِيْعُهُ. مَاتَ سنَةَ نَيِّفٍ وَسِتِّيْنَ وَثَلاَثِ مائَةٍ بِبَغْدَادَ. وَهُوَ القَائِلُ (٢) : وَكَانَتِ الإِبْرَةُ فِيمَا مَضَى ... صَائِنَةً وَجْهِي وَأَشْعَارِي فَأَصْبَحَ الرِّزْقُ بِهَا ضَيِّقاً ... كَأَنَّهُ مِنْ خُرْمِهَا جَارِي وَله (٣) : يَلْقَى النَّدَى بِرَقِيْقِ وَجْهٍ مُسْفِرٍ ... فَإِذَا التَقَى الجَمْعَانِ عَادَ صَفِيْقَا رَحْبُ المنَازِلِ مَا أَقَامَ فَإِنْ سَرَى ... فِي جَحْفَلٍ تَرَكَ الفَضَاءَ مَضِيْقَا
(*) يتيمة الدهر: ٢ / ١١٧ - ١٨٢، تاريخ بغداد: ٩ / ١٩٤، الأنساب: ٦ / ١٤١، المنتظم: ٧ / ٦٢ - ٦٣، معجم الأدباء: ١١ / ١٨٢ - ١٨٩، وفيات الأعيان: ٢ / ٣٥٩ - ٣٦٢، العبر: ٢ / ٣٥٧، عيون التاريخ: ١١ / الورقة: ١٩٤، البداية والنهاية: ١١ / ٢٧٠ و٢٧٤، النجوم الزاهرة: ٤ / ٦٧، شذرات الذهب: ٣ / ٧٣ - ٧٤، هدية العارفين: ١ / ٣٨٣ - ٣٨٤. (١) تأتي ترجمتهما برقم (٢٧٧) من هذا الجزء. (٢) الابيات في " ديوانه "، و" معجم الأدباء ": ١ / ١٨٤، و" الوفيات: ٢ / ٣٦٠. (٣) الابيات من قصيدة يمدح بها سيف الدولة. انظر " ديوانه ": ١٨٥، والوفيات: ٢ / ٣٦٠.

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