Siyar Aʿlām al-NubalāʾShams al‑Din al‑Dhahabi

When King Anujur died in the flower of youth, in 349 AH, Kāfūr placed Anujur’s brother ʿAlī on the throne. ʿAlī reigned for six years, yet the reins of power were in Kāfūr’s hands. After ʿAlī’s death Kāfūr himself assumed full sovereignty and rode out clad in the caliphal black robe of investiture. The senior statesmen advised him to set up one of ʿAlī’s sons as a nominal monarch, but he pled the boy’s minority and paid no heed to anyone. He publicly claimed that the deed of investiture and the robes had come to him from the caliph al-Muṭīʿ, and this occurred in Ṣafar 355 AH—an affair over which not even two goats locked horns.

Kāfūr inspired awe: he was a shrewd ruler, forbearing, open-handed, and dignified, possessed of an intellect far above that of ordinary household slaves. Al-Mutanabbī said of him (1):
“Those who set out for Kāfūr pass by all others,
for one who seeks the ocean finds the rivulets trifling.
They have brought us the very pupil of his age’s eye,
leaving behind them only blank whiteness and tear-soaked rims.”

The poet stayed in Kāfūr’s court for four years, amassing considerable wealth, but then lampooned his patron, an act of sheer ingratitude, and fled across the desert, saying (2):
“Who taught a castrated black man nobility—
his white clansmen or his noble sires?
When even the white stallions are powerless to do fair deeds,
what, then, of the black gelding?”

The Friday pulpits of Syria, Egypt, the Two Sanctuaries, and the frontier fortresses echoed with prayers for Kāfūr. It is also said that he had a formidable grip: scarcely anyone could string his bow. He would hand the bow to a mounted warrior; if the man failed, Kāfūr laughed and made him a servant, but if he succeeded, Kāfūr scowled.

(1) These verses appear in his Diwan, vol. 4, pp. 423–424; they belong to his celebrated ode that opens with the hemistich: "Kafa bika da an tara al-mawta shafiyan / wa hasbu al-manaya an yakunna amaniya" ("It is affliction enough that you see death as a remedy; calamities suffice when they become one’s very wishes"). (2) The verses are found in his Diwan, vol. 2, pp. 147–148, taken from the poem whose opening line reads: "Id, bi ayyi halin udta ya id / bima mada am bi amrin fika tajdid" ("O Feast-day, in what condition have you returned—repeating what is past, or renewing something within you?").
مَاتَ المَلِكُ أَنوجُورُ شَابّاً فِي سَنَةِ تِسْعٍ وَأَرْبَعينَ وَثَلاَثِ مائَةٍ، فَأَقَامَ كَافُوْرٌ أَخَاهُ عَلِيّاً فِي السَّلْطَنَةِ، فَبَقِيَ سِتَّ سِنِيْنَ، وَأَزمَّةُ الأُمورِ إِلَى كَافُوْرٍ، وَبَعْدَهُ تَسَلْطَنَ وَرَكِبَ الأَسْوَدُ بِالخِلْعَةِ السَّوْدَاءِ الخلِيفتيَّةِ، فَأَشَارَ عَلَيْهِ الكِبَارُ بِنَصْبِ ابنٍ لعلِيٍّ صورَةً فِي اسْمِ الملكِ، فَاعتلَّ بِصِغَرِهِ، وَمَا التَفَتَ عَلَى أَحَدٍ، وَأَظهرَ أَنَّ التَّقليدَ وَالأُهْبَةَ جَاءتْهُ مِنَ المُطِيعِ، وَذَلِكَ فِي صَفَرٍ سَنَةَ خَمْسٍ وَخَمْسِيْنَ، وَلَمْ يَنْتَطِحْ فِيْهَا عَنْزَانِ. وَكَانَ مَهِيْباً، سَائِساً، حليماً، جَوَاداً، وَقُوْراً، لاَ يُشبِهُ عقلُهُ عقولَ الخدَّامِ، وَفِيْهِ يَقُوْلُ المُتَنَبِّي (١) : قَوَاصِدُ كَافُوْرٍ تَوَارِكُ غَيْرِهِ ... وَمَنْ قَصَدَ البَحْرَ اسْتَقَلَّ السَّواقِيَا فَجَاءتْ بِنَا إِنسَانَ عَيْنِ زَمَانِهِ ... وَخَلَّتْ بَيَاضاً خَلْفَهَا وَمَآقِيَا فَأَقَامَ عِنْدَهُ أَرْبَعَ سِنِيْنَ، وَنَالَهُ مَالٌ جزيلٌ، ثُمَّ هجَاهُ لآمَةً وَكُفْراً لِنِعْمَتِهِ، وَهَرَبَ عَلَى البَريَّةِ، يَقُوْلُ (٢) : مَنْ عَلَّمَ الأَسْوَدَ المَخْصِيَّ مَكْرُمَةً ... أَقْوَامُهُ البِيْضُ أَمْ آبَاؤُهُ الصِّيْدُ وَذَاكَ أَنَّ الفُحولَ البِيْضَ عَاجِزَةٌ ... عَنِ الجَمِيلِ فَكَيْفَ الخِصْيَةُ السُّودُ وَدعِيَ لكَافُوْرٍ عَلَى منَابرِ الشَّامِ وَمِصْرَ وَالحَرَمَيْنِ وَالثُّغُوْرِ. وَقِيْلَ: كَانَ شَدِيدَ اليَدِ، وَلاَ يكَادُ أَحدٌ يمدُّ قوسَهُ فيُعْطِي الفَارِسَ قوسَهُ، فَإِنْ عجَزَ ضحكَ وَاسْتخدَمَهُ، وَإِنْ مدَّهُ قطَّبَ.
(١) الأبيات في " ديوانه ": ٤ / ٤٢٣ - ٤٢٤، من قصيدته المشهورة التي مطلعها: كفى بك داء أن ترى الموت شافيا * وحسب المنايا أن يكن أمانيا (٢) الأبيات في " ديوانه ": ٢ / ١٤٧ - ١٤٨ من قصيدته التي مطلعها: عيد بأية حال عدت يا عيد * بما مضى أم بأمر فيك تجديد

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